This is a simple time synced delay.

VU meter: meter shows incoming signal

Bypass on/off: bypass the effect

Units: select units for delay either milliseconds or step

Step: when step units are selected choose between 1/8 triplet delay or 1/16 delay

Feedback: Amount of feedback in delay signal

Pan: Pan the delay signal left/right

Dry/Wet: Amount of dry/wet signal in output path

Midi Learn: The Feedback, Pan and Dry/Wet knobs have a midi learn function. Right Click on a knob and then move your midi controller to assign that knob to that controller.

This is a simple time synced multi tap delay.

Pre-delay: This is the level of the dry signal that passes through the RRL3.

Taps 1-4: There are 4 taps each of which produce a single delay prior to being passed on to Delay Line 1. Each tap has a control for the level of the tap, the synced note length and the balance (i.e. the pan of the tap within the stereo field)

Delay line 1: This process the signal after the taps

Master: Contains the master level and pan control for the delay line

Delay section: Contains controls for the note length of the delay line delay, the feedback in the delay line signal and an on/off switch.

Filter section: allows you to apply a filter to the delay signal. Four types of filter are available, low pass,high pass, band pass and band reject. If you raise the resonance things can get pretty crazy. Watch out for self oscillation!

LFO section allows control over the cut-off and resonanc eof the filter and the pan of the delay line. the controls are pretty selft explanatory. The period of the LFO cycle can be synced to the number of bars shown in the selector for each LFO.

AnalogDelay is a delay unit followed by a 2nd order lowpass filter with saturation.

* The delay-time can evolve between 0 and max-delay which lets you be very accurate.
* You can also synchronise the delay to the tempo with different resolutions from 1/128 to 1 bar and control the way the delay-time is interpolated with the kind of interpolation and the time-constant.

Bachelard features a delay module with a filter section and a reverb module with a second filter section.

Many parameters can be controlled with key tracking. The effect also features 3 LFOs and a modulation matrix. The 3 LFOs have 5 different waveforms to choose from and 3 different ways to control the oscillator speed. They also have a trigger function controlled by MIDI note commands. Parameters that feature key tracking can also be assigned to different MIDI channels for extra flexibility.

Delay featuring, free, sync to host and key tracking (KTr) controlled rate

Delay feedback also features a KTr switch

Reverb parameters, size, width, damp and mix

Reverb size and mix controls also have KTr switches

Both effects have identical filters, 2 self oscillating SVs

The cutoff on the filters can also be set to KTr

3 identical LFOs with free, sync to host and KTr rate control

Each LFO can be assigned in the modulation matrix to several destinations: delay rate, feedback, cutoff and resonance, reverb size, width, damp, mix, cutoff and resonance.

Deelay have six delays with filtered feedback that will follow the tempo of your host sequencer

* Six delay lines with multimode filter and panning per delay
* Synced or manual delay time controls, delay time up to 80 seconds
* Buttons to deactivate the delay, mute the input or choose L or R as input
* Delay routing
* Internal limiters on every delay to be able to create distorted feedbacks without blowing up your speakers
* PANIC button to lower all feedbacks at once
* Input button: Turns input On/Off
* Hints on all controls that makes the plug pretty self explanatory
* MIDI automation and MIDI learn.

This VST-plugin is an 6x delay, each with its own bandpass filter.

Frequency of each band is adjustable, as is delaytime, feeback and volume. The filter bandwidth is controlled for all bands together.
The Mix button controls the ratio of dry and wet signal. The Direct switch adds the filtered but undelayed signal to the wet mix.

Dubb Box is a virtual tape delay, loosely modelled on my venerable Roland Space Echo.

Does a fairly good job of emulating the tape saturation, unpredictability and wild self-oscillation of the real deal. Features main echo and 'second-tapehead' sub-echoes, as well as adjustable vintageness (tape hiss, motor inertia, tape and motor age).

HandMade Echo is a boutique Delay/Echo unit that simulates classic machines of yesteryear.

Extremely easy to use delay/Echo plugin
Controls for feedback, delay, dry/wet mix, tempo sync, unit on/off
Preset system
Regular updates

OverDubber is a two tap delay focused towards Dub creation and Live use.

* Two tap delay.
* BPM based times4, with dotted time button.
* "Explode" Trigger to do controlled feedback loops in one click.
* MIDI Learn
* Panic! button
* Pitch-Mod (simulation of tape speed fluctuations)
* Added a tape reel knob; it allows user to play with delay speed manually.
* Two modes "accel" and "scratch" both produces different results:
- Accel: the effect sounds like someone adjusting the speed of a tape reel machine, but always going forward.

EchoLive features a tap tempo function which makes it easy to create echoes that fit the timing of a live band.

* the delay time can be defined by tapping the tempo with the mouse or on a midi keyboard
* alternatively the delaytime can also be set manually or synchronized with the host application
* tape model including tape saturation, tape hiss, wow & flutter, low and high pass filtering, smooth parameter for continuous delay time changes like on a real tape delay
* stereo-control: ping pong delay, time symmetry, stereo width
* all parameters are controllable by midi controllers

After the success of TAL-Dub, we decided to release TAL-DUB-II, an extended version with a completely new sound engine.

A 4x oversampled distortion stage allows to add vintage distortion to the delayd signal, but its also possible to make clean delays.
A sinus LFO has the possibility to modulate delay time and low pass filter cutoff. Adjustable LFO stereo width is also included.
An analog sounding 6dB low pass filter with resonance and a 3dB high cut filter are also parts of TAL-DUB-II. Different routing options open a wide range of possibilities.

Synced delay times (1/16, 1/8, 1/4, 1/2, 1/1, 2/1 and trippled and dotted notes).

4x oversampled distortion stage.

VU-Meter shows gain reduction.

LFO (low pass cutoff and delay modulation, stereo width).

6dB resonance low pass filter.

3dB high pass filter.

Midi learn for all pots.

20 factory presets.

Documentation.

TAL-DUB-III is an easy to use delay device with some special features.

Its no tape delay emulation and has its own sound. It has an alias free saturation stage, a non-linear 6dB low pass and a 3dB high pass filter that are included in the feedback path of the device. An input drive knob allows to adjust the saturation level. Pop-up menues show the current values of volume, delay-time and feedback knobs. A tab button allowing to adjust the delay time for live sessions.

Delay time up to 4 seconds

Non linear 6dB Low-Pass filter

3dB High Pass filter

Alias free stauration, adjustable with the input drive knob

Delay x2 for each channel

Synced delay times (1/16, 1/8, 1/4, 1/2, 1/1, 2/1 and trippled and dotted notes)

Pop-ups show the actual values dB (input drive, dry, wet), ms(delay), 0..2 (feedback

Led-meter shows the sturation level

Tab button for delay time

Midi Learn for all knobs

The feedback knob is especially optimized for doing infinite delays